Survive as long as you can as you scrounge for weapons and survivors in each city.

Bait zombies towards the killing floor by placing traps each night as you fight for your life.

Reach Union City before the military fully quarantines the mainland in 40 days.

Defend your encampment from the onslaught of the undead when the sun goes down.įollowing the events of The Last Stand, Jack and the remaining survivors will carve a path to the coast before the evacuation leaves them behind.

Support your party of survivors by repairing your barricade.

Arm yourself with weapons and supplies in the daylight hours.

The very first game in The Last Stand franchise- play as Jack in the opening days of the zombie apocalypse. Her work was also recently featured in “ Fiber of my being” at Hales Gallery in New York.Featuring three classic titles with AI upscaled assets, The Last Stand Legacy Collection includes The Last Stand, The Last Stand 2, and The Last Stand: Union City, in one comprehensive package. It’s easy to imagine Chakrabarti’s turning figure smiling, thinking of the best retort for her friend or family member.īhasha Chakrabarti’s work is currently on view in the two-person show “ Heartbreak Picnic” at Grove Collective in London, and the group exhibition “Vibrant Matters” at Jeffrey Deitch in New York, curated by Melanie Kress.

With playful banter, there must be a sense of mutual trust and comfort between the two parties such that the tormentor doesn’t truly insult the tormented, who is empowered to tease back. The figures stand close together-toes touching-as one scolds the other, who turns, embarrassed, from the viewer.

In this double-sided composition, the artist renders two figures against strips of fabric, sewn together in such a way that they act as both the medium for and setting of the scene, a kitchen with colorful wallpaper and a counter, perhaps. In other works, such as Ōlelo pā‘ani (Playful Banter) (2019–22), Chakrabarti focuses on intimacy and togetherness.

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